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L'impennata, 1957

lithograph

signed, numbered

an edition of 50

65 x 48 cm

 

This work has a small tear in thr bottom right corner.

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L'impennata, 1957

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lithograph

signed, numbered

an edition of 50

65 x 48 cm

 

This work has a small tear in thr bottom right corner.


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£3,900.00
incl. VAT

Horse and Rider from Shakespeare

etching and aquatint

signed and numbered

an edition of 75

76 x 60 cm

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Horse and Rider from Shakespeare

£3,900.00 incl. VAT

etching and aquatint

signed and numbered

an edition of 75

76 x 60 cm


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£3,500.00
incl. VAT

Cavaliere Noir, 1962

lithograph

signed and numbered

an edition of 50

55 x 43 cm

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Cavaliere Noir, 1962

£3,500.00 incl. VAT

lithograph

signed and numbered

an edition of 50

55 x 43 cm


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Colour to Form, Plate II, 1969

lithograph

signed and numbered

an edition of 50 plus XV

Printed by Mourlot, Paris

Publsihed by XXe Siecle, Paris

40 x 52 cm

 

This work is recorded as Guastalla 94 in the catalogue raisonne of his work

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Colour to Form, Plate II, 1969

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lithograph

signed and numbered

an edition of 50 plus XV

Printed by Mourlot, Paris

Publsihed by XXe Siecle, Paris

40 x 52 cm

 

This work is recorded as Guastalla 94 in the catalogue raisonne of his work


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Bizzaria/Spataco, 1976

etching and aquatint printed in colours, 1976, on Arches, signed in pencil and numbered in roman numerals in pencil, from the deluxe edition of 50 from the portfolio American Portrait, printed by Crommelynck Imprimeur, Paris, published by Transworld Art, 1976, for the American Bicentennial Portfolio, with their blindstamp, the full sheet as published, deckle edge to bottom, in good condition
P. 365 x 490mm, S. 505 x 660mm.

 

This works is recorded as number BA184 in Guastalla, the catalogue raisonne of his work

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Bizzaria/Spataco, 1976

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etching and aquatint printed in colours, 1976, on Arches, signed in pencil and numbered in roman numerals in pencil, from the deluxe edition of 50 from the portfolio American Portrait, printed by Crommelynck Imprimeur, Paris, published by Transworld Art, 1976, for the American Bicentennial Portfolio, with their blindstamp, the full sheet as published, deckle edge to bottom, in good condition
P. 365 x 490mm, S. 505 x 660mm.

 

This works is recorded as number BA184 in Guastalla, the catalogue raisonne of his work


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Colour to Form, Plate NINE, 1969

colour lithograph

signed, numbered and dated

an edition of 50 plus XV

Printed by Mourlot, Paris.

Published by Société Internationale d'Art XXe Siècle, Paris, and Lèon Amiel, New York. Guastalla 100.

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Colour to Form, Plate NINE, 1969

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colour lithograph

signed, numbered and dated

an edition of 50 plus XV

Printed by Mourlot, Paris.

Published by Société Internationale d'Art XXe Siècle, Paris, and Lèon Amiel, New York. Guastalla 100.


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Marino Marini (27 February 1901 Pistoia — 6 August 1980 Viareggio) was an Italian sculptor.

 

He attended the Accademia Di Belle Arti in Florence in 1917. Although he never abandoned painting, Marini devoted himself primarily to sculpture from about 1922. From this time his work was influenced by Etruscan art and the sculpture of Arturo Martini. Marini succeeded Martini as professor at the Scuola d’Arte di Villa Reale in Monza, near Milan, in 1929, a position he retained until 1940.During this period, Marini traveled frequently to Paris, where he associated with Massimo Campigli, Giorgio de Chirico, Alberto Magnelli, and Filippo Tibertelli de Pisis. In 1936 he moved to Tenero-Locarno, in Ticino Canton, Switzerland; during the following few years the artist often visited Zürich and Basel, where he became a friend of Alberto Giacometti, Germaine Richier, and Fritz Wotruba. In 1936, he received the Prize of the Quadriennale of Rome. In 1938, he married Mercedes Pedrazzini. He accepted a professorship in sculpture at the Accademia di Belle Arti di Brera, Milan, in 1940.In 1943, he went into exile in Switzerland, exhibiting in Basel, Bern, and Zurich. In 1946, the artist settled permanently in Milan.He is buried at Cimitero Comunale of Pistoia, Toscana, Italy.

 

http://en.wikipedia.org/wiki/Marino_Marini_(sculptor)

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Arciere Bleu, 1977

lithograph

signed and numbered

an edition of 50

74 x 54 cm

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Arciere Bleu, 1977

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lithograph

signed and numbered

an edition of 50

74 x 54 cm


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Horse and Rider from the Goethe Suite

etching and aquatint

signed and inscribed

PA, aside from edition of 125

95 x 66 cm

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Horse and Rider from the Goethe Suite

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etching and aquatint

signed and inscribed

PA, aside from edition of 125

95 x 66 cm


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